Helgeland Quotes

#1. As much as I love period movies and especially more swashbuckling movies, I think that sometimes they tend to be, umm ... it's hard for the audience to relate to them.

Brian Helgeland

#2. I'm not like a Sears Catalog of ideas. I don't have that many ideas. I've more or less written them over the years. Usually, I come up with a situation or a character, and it rattles around in my head until the story or the plot emerges.

Brian Helgeland

#3. It's as boring to see a completely evil villain as it is to see a completely good guy.

Brian Helgeland

#4. I know a lot of directors have a whole staff of people trying to find their next film for them. I always just end up writing mine.

Brian Helgeland

#5. In those days, if you wanted a new car or a holiday, you'd phone up the office and they'd send you some cash. You never had a bank account. I don't know anyone from the music business in the Seventies that it didn't happen to.

Ozzy Osbourne

#6. In my own experience, the scripts that I wrote, if they didn't go within two years and become a film, they never went and no one ever came looking for them.

Brian Helgeland

#7. Maybe that is the one real division between men: wood men and desert men.

Kurban Said

#8. I don't really write with living actors in mind. I guess I write for dead actors. I'll think of like, you know, Burt Lancaster would be good in this part, and so on. With 'L.A. Confidential,' it was like, 'Wouldn't it be cool if Dean Martin played the Kevin Spacey part?'

Brian Helgeland

#9. It's such an egotistical thing to be able to just stand there and say, 'Action!' It's like being a little mini-god.

Brian Helgeland

#10. I pray silently: Nolite te bastardes carborundorum. I don't know what it means, but it sounds right, and it will have to do, because I don't know what else I can say to God.

Margaret Atwood

#11. The studio is spending great amounts of money, and they want some insurance they will get money back. They go for the middle of the road, broad in appeal. It's restrictive. It's a constant struggle, but if you give in, you're just making cottage cheese, and that's the end of it.

Brian Helgeland

#12. If you write an original, it's like you went in and dug a well, and you hit oil. But an adaptation, it's like the oil well's on fire, and they bring you in to put the fire out and get it working again - or something like that.

Brian Helgeland

#13. Because I've been at it so long and very steadily, I have a lot of credits, but I probably have twice as many scripts that were never made for whatever reason.

Brian Helgeland

#14. For me in a film, almost every scene you end up cutting a bit of the start of it out, and some of the end of it out because there's always ... once you've rehearsed it and shot it, it feels like a couple of times and you can always get out sooner.

Brian Helgeland

#15. It's okay to lie as long as you reach a higher truth doing it.

Brian Helgeland

#16. A hard soldier is a strong soldier is a living soldier.

Dan Krokos

#17. I think writing is a difficult thing and you need to suffer a little bit, even if it's just to sit there and think what an idiot you are and how anyone else could do this better than you can.

Brian Helgeland

#18. I think 'Cool Hand Luke' was probably the first movie in which I was aware of the writing as its own separate thing. It was that speech when the guy reads Paul Newman the riot act. The speech about going in the box.

Brian Helgeland

#19. The man who satisfies a ceaseless intellectual curiousity probably squeezes more out of life in the long run than anyone else.

Edmund Gosse

#20. I always think any circumstances can be funny. Not that I'm irresponsible, but when things go wrong, I always come up with a joke or think of something funny to say.

Brian Helgeland

#21. In exchange for ten years of being on top, I'm gonna end up in prison or I'm gonna end up dead, and there's something fascinating about that.

Brian Helgeland

#22. You might be a big fish in a little pond,
Doesn't mean you've won
'Coz along may come a bigger one.

Coldplay

#23. Dance is movement, is action, and like all action, it reveals us to ourselves in the doing.

Gabrielle Roth

#24. If I'm in the bookstore, and I see a 700-page novel, my first thought is, 'Ooh, how could you cut this down to size and make a movie out of it?'

Brian Helgeland

#25. It's always once the script's done in the first two years if it doesn't get going somehow or another, I've never had an old script that someone's made later on.

Brian Helgeland

#26. You can write anything you want on paper, like blowing up the bridge on the River Kwai, but when you actually have to do that as a director, it's not the same. Ninety percent of directing is not creative - it's putting the theoretical into the practical world.

Brian Helgeland

#27. I worked as hard to write the worst film of the year as I did to write the best film of the year.

Brian Helgeland

#28. I think test screenings with an audience are useful because they have no dog in the fight, they just say how they feel.

Brian Helgeland

#29. I think there's something strange about writing a script I've written many, many scripts - dozens and dozens of scripts - and every time I start one, I think to myself: 'why in the world do I think I know how to do this?'

Brian Helgeland

#30. I write R-rated action dramas, and every year that goes by, that gets to be a smaller and smaller world you have to work in. You have to think of how to get the studio excited and sell them something.

Brian Helgeland

#31. There are plenty of writers who are going to become a director after their next job, but no one will believe you're a director unless you believe it.

Brian Helgeland

#32. The pieces of my broken heart are so small that
they could be passed through the eye of a needle.

Brian Helgeland

#33. Movie dialogue is movie dialogue. It can sound real, but no one speaks that way.

Brian Helgeland