
Top 38 Griffin Dunne Quotes
#1. To see a comedy in an environment where you're surrounded by other people that are laughing is great. That's probably more satisfying than just watching it by yourself.
Griffin Dunne
#2. If I knew that, I'd fall in love over and over again. Hearts aren't supposed to be mended. If you fall in love and it doesn't work out, you get a broken heart. What comes out of that will make you a better lover and partner next time.
Griffin Dunne
#3. I love working with actors. I love to see what they're going to do. There's just something very thrilling and satisfying with being involved with something, all the way through the process [making movie].
Griffin Dunne
#4. Science progresses. Ideology tends to linger unchanged, and often unquestioned.
Massimo Pigliucci
#5. I came to New York to be an actor and I became a film producer first.
Griffin Dunne
#6. Documentaries have always inspired me in narrative filmmaking.
Griffin Dunne
#7. I've always been schizophrenic; I've never been interested in limiting myself.
Griffin Dunne
#8. I only got to be able to act, because I gave myself a job as a producer.
Griffin Dunne
#9. I think we were the first picture to cut on Final Cut Pro. So we were the guinea pigs, because we got a deal on the system. But with that comes all sorts of technological problems I couldn't begin to describe.
Griffin Dunne
#10. Every time I act in something, I learn something about what the director is doing. One feeds the other.
Griffin Dunne
#11. Society is like this card game here, cousin. We got dealt our hand before we were even born, and as we grow we have to play as best as we can.
Louise Erdrich
#12. And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
Griffin Dunne
#13. Every movie is wildly different. So many of the problems are the same, but they take on different guises.
Griffin Dunne
#14. Bush began helping Enron in the eighties.
Paul Begala
#15. In the '80s, I can't say that Amy and I were aware of an independent film community. We could only get a certain amount of money for our pictures, which made them low budget movies, but they were distributed through studios.
Griffin Dunne
#16. I never said, 'I want to be alone.' I only said 'I want to be let alone!' There is all the difference.
Greta Garbo
#17. I really dislike it when the media asks young actresses, normally when they're about 23, how they feel about ageing. There are other things to worry about.
Penelope Cruz
#18. I produced six movies with Amy Robinson since the very early '80s.
Griffin Dunne
#19. My hunger and desperation, being an actor, an out of work actor - my memory of that is as fresh as an open wound.
Griffin Dunne
#20. If movies are set in New York, they really should be shot in New York.
Griffin Dunne
#21. Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.
Griffin Dunne
#23. It struck me that working digitally with a small crew, I could lay out a general plan for Famous and hope for mistakes which would create something more than satire and something less than truthful reality.
Griffin Dunne
#24. New York means so much to people. If you're inclined to leave the nest, New York is where most people think they have to go, and it's been that way since the first skyscraper.
Griffin Dunne
#25. As a director, I've been able to combine with what I've learned as an actor and as a producer: it melds quite nicely into what I feel like I should have been doing all along.
Griffin Dunne
#26. People are hungry for something more beautiful, for something greater than people round about can give. There is a great hunger for God in the world today. Everywhere there is much suffering, but there is also great hunger for God and love for each other.
Mother Teresa
#28. Half the misery in the world comes of want of courage to speak and to hear the truth plainly and in a spirit of love.
Harriet Beecher Stowe
#29. But I remember feeling as a producer I felt like the guy who called the caterer and got the band; I had to work the party while everybody else was having a good time.
Griffin Dunne
#30. I met Steve McQueen once. Well, met isn't really the right word.
Griffin Dunne
#31. I'm being told it saves money to shoot in Toronto, because of tax benefits, the crews are cheaper, but what I save in the bottom line, I lose in a million other ways.
Griffin Dunne
#32. At the audition, your assignment is to find something new in the song. Something you've never noticed before. A breath carried over, a thought that ties the whole thing together. Then take the risk and do it.
Pete Seeger
#33. I'm lucky: almost all my family has lived to be very old. I have one grandfather who lived to be 100.
Annette Bening
#34. I'm looking for someone who works as hard as I do. Who loves their work as much as I do, so at the end of the night we have something real to talk about, something exciting that makes our blood flow and boil.
Jill Scott
#35. But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.
Griffin Dunne
#36. I'm in five guilds; that's a lot of dues to pay. So I have to keep on working.
Griffin Dunne
#37. On every movie I've done as a director, I look at the producers and having done it, I don't envy them, at all.
Griffin Dunne
#38. When you're directing, I feel like I'm playing all the parts, without the make-up. I really get into the heads of the characters.
Griffin Dunne
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