
Top 13 Garth Black Quotes
#1. Holy shit. Rowen Sterling. Glowing. Married. I suppose now's the time to start packing our bags for the apocalypse."
Jesse slugged my arm. Rowen got the other. "Holy shit. Garth Black. Present. Accounted for. Sober. Quick, no time to pack your bags for the apocalypse because it's here.
Nicole Williams
#2. He was obviously a very arrogant ragamuffin, and younger than she was, to boot. And he was wearing a necromancer's bells! Apart from that, he was quite handsome, which was another black mark as far as she was concerned.
Garth Nix
#3. I get more things wrong than I get right, but there's one thing I'm really damn good at, and that's loving you. I've loved you most of my whole life. Will you give me permission to love you the rest of it too?
Nicole Williams
#4. Between the whiskers scraggling down his neck and the now-crooked glasses, he could have been the Black Allen Ginsberg.
Garth Risk Hallberg
#5. What can be sadder than a discouraged artist dying not from his own commonplace maladies, but from the cancer of oblivion?
Vladimir Nabokov
#6. Great rolls of toilet paper arc like ejaculate through the black sycamores.
Garth Risk Hallberg
#7. Afro-Caribbean influences are in me as a creative being the same way Spanish influences were in Picasso's work. I think the notion of labels - "black dancer, black choreographer" -is a ploy to divide and conquer, and to limit.
Garth Fagan
#8. The Word of fire burns today On the lips of our prophets in an evil age.
Margaret Walker
#9. Making her smile, that was my new life calling because really, what else mattered?
Nicole Williams
#10. Sitting in an armchair under yellow lamplight in front of a black window in an apartment whose only other light was the milky rainbow of the Wurlitzer, Richard was like a giant, welcoming ear. Or a reflecting device, beaming her best self back at her.
Garth Risk Hallberg
#12. If you want to have friends, you have to remember that nobody's perfect.
Jonathan Franzen
#13. Some forms of truth are really forms of social power and oppression.
Ken Wilber
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