Top 85 Filippo Quotes
#1. My boy," returned my father, "you must not judge by the work, but by the work in connection with the surroundings. Could Giotto or Filippo Lippi, think you, have got a picture into the Exhibition? Would
Samuel Butler
#2. Logic, order, truth, reason, we consign them all to the oblivion of death," said one Surrealist manifesto. We must "cultivate the hatred of intelligence," said the leader of the Futurists, Filippo Marinetti, an artist hailed by Mussolini as the John the Baptist of Fascism.17
Leonard Peikoff
#3. Between an action and reaction, between a gesture and its consequences, everybody agrees that there is an exact relationship, but not necessarily a proportionate one.
Filippo Bologna
#4. The term 'steampunk' itself, now a badge of honor, began as a putdown, a joke. But like 'Big Bang' in cosmology, the diss became the standard.
Paul Di Filippo
#5. We love the indomitable bellicose patriotism that sets you apart; we love the national pride that guides your muscularly courageous race; we love the potent individualism that doesn't prevent you from opening your arms to individualists of every land, whether libertarians or anarchists.
Filippo Tommaso Marinetti
#6. The constituents of tragedy may be universally acknowledged, easily invoked and deeply felt, but the elements of comedy are, I think, more widely variable from person to person.
Paul Di Filippo
#7. The lives of most authors - even, or perhaps especially, the great ones - are necessarily a catalogue of tedious inwardness and cloistered composition. Globe-trotting Hemingways and brawling Christopher Marlowes are the exception, not the rule.
Paul Di Filippo
#8. You could engineer a human to survive the greenhouse effect because you think that's what's going to happen, and then all of a sudden the glaciers are creeping down on you.
Paul Di Filippo
#9. That was asking a lot of my readers, I realized, but I was trying to write the novel I would most enjoy decoding.
Paul Di Filippo
#10. Of the birth of subgenres, there is no end. They arise like bubbles full of miraculous hopes and potentials from the Planckian foam of the canon, inspiring writers new and established alike.
Paul Di Filippo
#11. The impossibility of a sequel ever recapturing everything - or anything - about its ancestor never stopped legions of writers from trying, or hordes of readers and publishers from demanding more of what they previously enjoyed.
Paul Di Filippo
#12. We must not show to all and sundry the secrets of the waters flowing in ocean and river, or the devices that work on these waters. Let there be convened a council of experts and masters in mechanical art to deliberate what is needed to compose and construct these works.
Filippo Brunelleschi
#13. The advent of AIDS circa 1980 has really forced medicine and biology to take enormous steps just for sheer survival. The same way war propels hard technology, AIDS has created wartime conditions in the field of biology that will have all sorts of spin-offs.
Paul Di Filippo
#14. I think humanity is not wise enough to know what genotype or somatype is going to be the most successful or the most fit - simply because we're not fully in control of our environment.
Paul Di Filippo
#15. The emotional tone or affect of the tale should be hot and engaged, not remote and dispassionate.
Paul Di Filippo
#16. Many are ready, when listening to the inventor, to belittle and deny his achievements so that he will no longer be heard in honourable places, but after some months or a year, they use the inventor's words in speech or writing or design.
Filippo Brunelleschi
#18. For every reader and writer of steampunk fiction, there are probably hundreds or thousands of other activists who gleefully embrace some non-written manifestation of the steampunk ethos.
Paul Di Filippo
#19. The life of matter can be embraced only by an orchestral style, at once polychromatic, polyphonic, and polymorphous, by means of the most extensive analogies.
Filippo Tommaso Marinetti
#20. We will glorify war-the world's only hygiene, milliterism, patriotism , the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman
Filippo Tommaso Marinetti
#21. Steampunk, the repurposing of Victorian culture and technology for contemporary fun and profit, is so ubiquitous - in media, books, fashion, music, cosplay, and maker culture - that we tend to imagine its superficial aspects are all that define it.
Paul Di Filippo
#24. O my brother Futurists ! All of you, look at yourselves! ... In the name of that Human Pride we so adore, I proclaim that the hour is nigh when men with broad temples and steel chins will give birth magnificently, with a single trust of their bulging will, to giants with flawless gestures.
Filippo Tommaso Marinetti
#25. The gifts given to us by God must not be relinquished to those who speak ill of them and who are moved by envy or ignorance.
Filippo Brunelleschi
#26. Critics, at least generally, want to regard works of fiction as independent entities, whose virtues and failures must be reckoned apart from the circumstances of their creation, and even apart from the intentions of their creator.
Paul Di Filippo
#27. It is from Italy that we are flinging this to the world, our manifesto of burning and overwhelming violence, with which we today establish " Futurism ," for we intend to free this nation from its fetid cancer of professors, archaeologists, tour guides, and antiquarians.
Filippo Tommaso Marinetti
#28. Science fiction is a literary field crowded with strong opinions, and no SF novelist delivered himself more memorably of his views - on politics, sexuality, religion, and many other contentious topics - than Robert Heinlein.
Paul Di Filippo
#30. Any debut novel is usually a case of spitting into the wind - or, just maybe, casting your bread upon the waters. Without an established audience in place, first-time authors have to hope for resonant word of mouth and a receptive reviewer or three.
Paul Di Filippo
#31. Ribofunk indicates a focus on biology as the upcoming big science in the way that physics was for the last 50 or 100 years. If you look for a biological thread throughout science fiction, you can find it, but it's a very small percentage of the total. That's been changing in the last few years.
Paul Di Filippo
#32. He would like to be capable of writing as he thinks, quickly, without effort, the word as agile and dynamic as athletes in a race, jumping over hurdles, one after the other, go, go, go, flying towards the finishing post, faster than the disgust limping behind him.
Filippo Bologna
#33. It is therefore necessary to prepare the imminent and inevitable identification of man with the motor, facilitating and perfecting an incessant exchange of intuition, rhythm, instinct and metallic discipline, quite utterly unknown to the majority of humanity and only divined by the most lucid mind.
Filippo Tommaso Marinetti
#34. As many authors have said, if the writer is not surprised by events, then chances are that the reader will not be either, and grow bored.
Paul Di Filippo
#35. 'James and the Giant Peach' magnificently starts out Dahl's career as a blithe and droll Bad Uncle corrupter and affirmer of youth. Its influence can be subsequently traced down the decades in everything from Maurice Sendak to Lemony Snicket to J. K. Rowling.
Paul Di Filippo
#37. I suspect that authors who start their careers writing for an adult audience - and who eventually produce a young adult novel or two - are more common than authors who begin by writing for young adults and who then gravitate toward composing something for an adult audience.
Paul Di Filippo
#39. Once anthropology and geology had opened up the pre-recordkeeping darkness of humanity's long, slow, sustained infancy as suitable grounds for speculation, writers began trying to imagine human existence as it must have been with only stone-age technology.
Paul Di Filippo
#41. Blending consensus historical events and personages with imaginary occult forces is a strong recipe for counterfactual storytelling goodness that combines the best of two worlds: resonant history with wild-eyed fantasy.
Paul Di Filippo
#42. It doesn't matter, the important thing is to fall asleep caressing the charm of an image. Because the last thing you think of before falling asleep must always be the most beautiful.
Filippo Bologna
#43. The three touchstones that woke Buddha up - sickness, old age, and death - are a pretty good place to start when crafting a tragic tale. And if we need to get more specific: heartbreak, destruction, miscomprehension, natural disasters, betrayal, and the waste of human potential.
Paul Di Filippo
#44. The clock indicates the moment-but what does eternity indicate?
Paul Di Filippo
#45. Consensus wisdom has it that all modern commercial fantasy novels fall into two camps: those derived from J.R.R. Tolkien and those derived from Mervyn Peake. The 'Lord of the Rings' template or the 'Gormenghast' mold.
Paul Di Filippo
#46. The past is necessarily inferior to the future. That is how we wish it to be. How could we acknowledge any merit in our most dangerous enemy: the past, gloomy prevaricator, execrable tutor?
Filippo Tommaso Marinetti
#47. It's a heartening fact about the human race that utopian fiction precedes dystopian fiction in the evolution of literature.
Paul Di Filippo
#48. Roald Dahl pioneered a new kind of literature for youngsters, one that dispensed with cant and solemnity, favoring anarchy and joy over duty and humbuggery while acknowledging that oftentimes no good deed goes unpunished. But ultimately, it was his sheer joie de vivre that carried the day.
Paul Di Filippo
#50. War has always been a part of science fiction. Even before the birth of SF as a standalone genre in 1926, speculative novels such as 'The Battle of Dorking' from 1871 showed how SF's trademark 'what if' scenarios could easily encompass warfare.
Paul Di Filippo
#51. Madam, I assure you that you are dealing with two gentleman of the highest propriety and social standing.
When one contemplates the deeds that are daily done in society's name, such a description is no high recommendation.
Paul Di Filippo
#52. Everyone can guess what 'Corn Flakes' tastes like, even if you've never had them. But what, pray tell, does 'High School Musical' or 'Spider-Man' cereal possibly taste like? In this late era, we have reached the ultimate deracination between product image and what actually sits on our spoon.
Paul Di Filippo
#53. Let us leave good sense behind like a hideous husk and let us hurl ourselves, like fruit spiced with pride, into the immense mouth and breast of the world! Let us feed the unknown, not from despair, but simply to enrich the unfathomable reservoirs of the Absurd!
Filippo Tommaso Marinetti
#54. Idealists , workers of thought, unite to show how inspiration and genius walk in step with the progress of the machine , of aircraft, of industry, of trade, of the sciences, of electricity.
Filippo Tommaso Marinetti
#55. Immensely clever and libidinously hilarious.The most astonishing thing about Love in a Dead Language is its ingenious construction. Insofar as any printed volume can lay claim to being a multimedia work, this book earns that distinction.
Paul Di Filippo
#56. He was so drunk that he would have stubbornly denied that he was.
Filippo Bologna
#57. Every new generation of SF writers remakes cyberpunk - a genre often laced with dystopian subtexts - in its own image.
Paul Di Filippo
#58. Generational change within a genre is hard to parse while it's happening. Only in retrospect can the passing of the baton from ancestors to progeny be clearly discerned.
Paul Di Filippo
#59. The sentient beast has long been a staple of fantasy fiction and its antecedents in myth and folktale.
Paul Di Filippo
#60. There is no longer beauty except in the struggle. No more masterpieces without an aggressive character. Poetry must be a violent assault against the unknown forces in order to overcome them and prostrate them before men.
Filippo Tommaso Marinetti
#61. Science fiction at its best should be crazy and dangerous, not sane and safe.
Paul Di Filippo
#62. It was not until the appearance of cyberpunk in the 1980s that SF began to grapple in a broadly meaningful way with the reality of computers as something other than giant mainframes tended by crewcut IBM nerds.
Paul Di Filippo
#63. Only a minority of science fiction dystopias attempt to plumb the real existential roots of oppression, the flaws in humanity's nature that undermine our best attempts at organizing ourselves into social units.
Paul Di Filippo
#64. Writing one's first novel, getting it sold, and shepherding it through the labyrinths of editing, production, marketing, journalism, and social media is an arduous and nerve-wracking process.
Paul Di Filippo
#65. So there are countless reasons to remain on this Godforsaken planet that was long considered the only world, if for no other reason than to learn the end of our story: what the author of our lives has not yet taken the trouble to finish.
Filippo Bologna
#66. Do not share your inventions with many; share them only with the few who understand and love the sciences.
Filippo Brunelleschi
#68. Science offers no brief for the telekinetic powers of Darth Vader and hardly any greater justification for the faster-than-light travel that makes his empire possible. And yet what is 'Star Wars' if not pure quill SF?
Paul Di Filippo
#69. More than we sleep, play, or make love, we work. Yet despite - or perhaps because of - this dominant daily grind, much of our literature is biased toward other pursuits.
Paul Di Filippo
#70. Stephen King consummately honors several traditions with his rare paperback original, 'Joyland.' He addresses the novel of carny life and sideshows, where the midway serves as microcosm, such as in those famous books by Ray Bradbury, Charles Finney and William Lindsay Gresham.
Paul Di Filippo
#71. Sometimes magnificent visual art takes root in the humblest of soils. Advertisements painted on old barns, tattoos, fruit crate labels, hot rod embellishments - all these media and many other non-galleried forms have hosted and fostered esthetic delights that satisfy any rigorous definition of art.
Paul Di Filippo
#72. To disclose too much of one's inventions and achievements is one and the same thing as to give up the fruit of one's ingenuity.
Filippo Brunelleschi
#73. Generally speaking, by the time a subculture such as steampunk secures the attention of major media, resulting in extensive coverage of the craze, said phenomenon is already on the way out.
Paul Di Filippo
#74. Thomas Pynchon surely inaugurated or crystallized a new genre in 1963 when he published 'V.' The seriocomic mystery or thriller with one foot set in the present and one in various historical eras received its postmodern baptism from Pynchon.
Paul Di Filippo
#75. The SF genre, of course, is really an organically evolved, marketplace-determined, idiosyncratic grab bag of themes and signifiers and characters and icons and gadgets, some of which hew to the realistic parameters and paradigms embraced by science, others of which partake more of fantasy and magic.
Paul Di Filippo
#76. The juggernaut that is steampunk, like Dr. Loveless's giant mechanical spider in the 1999 film version of 'The Wild, Wild West,' seems capable of crushing all naysayers.
Paul Di Filippo
#77. The tear is the language of the soul and the voice of the feeling.
Filippo Pananti
#78. Quite often, intent on conveying how things can go wrong for a culture (science fiction) or an individual (horror) or all of magical creation (fantasy), works of fantastika often preclude comedy, because humor gets in the way of messages of doom or struggle.
Paul Di Filippo
#79. The way I was educated, maybe from just inhaling something in the air back then, I grew up believing that E. B. White occupied the apex of essay writing.
Paul Di Filippo
#80. The science-fictional motif of lethal, infectious information - bad memes - is a fascinating one, with an extended history. One of the earliest instances is Robert W. Chambers's 'The King in Yellow' from 1895. Chambers's conceit is a malevolent play: read beyond Act II, and you go mad.
Paul Di Filippo
#81. It was as unsatisfying as a handjob from someone wearing an oven mitt.
Paul Di Filippo
#82. It is truly bracing and instructive to contemplate the End Times - at least at safe remove, in the pages of fiction - especially as the world beyond our hearths churns and convulses unknowably, yet perhaps just short of ultimate disaster.
Paul Di Filippo
#84. We say that the world's magnificence has been enriched by a new beauty: the beauty of speed ... Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
Filippo Tommaso Marinetti
