Feininger Quotes

#1. Conventional cancer therapy is so toxic and dehumanizing that I fear it far more than I fear death from cancer.

Julian Whitaker

#2. As an amateur you have an advantage over photographers - you can do as you wish ... This should make amateurs the happiest of photographers.

Andreas Feininger

#3. (1) The more thoroughly a photographer explores his subject with the camera (i.e., the more pictures he makes), the more he sees and the better his chance of getting good results. (2) Even slight changes in subject approach can make significant differences in the effect of the picture.

Andreas Feininger

#4. Light is the photographic medium par excellence; it is to the photographer what words are to the writer; color and paint to the painter; wood, metal, stone, or clay to the sculptor.

Andreas Feininger

#5. What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, sympathy, and understanding, can be transformed into an emotionally rewarding experience.

Andreas Feininger

#6. If the common man in the past had a grave respect for property, it may conceivably have been because he sometimes had some of his own.

Gilbert K. Chesterton

#7. Know - how is worthless unless guided by know - why and know - when.

Andreas Feininger

#8. Usually when you get a script from actors, you don't have high expectations.

Patrick Whitesell

#9. Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse.

Sara Gruen

#10. Photographers - idiots, of which there are so many - say, "Oh, if only I had a Nikon or a Leica, I could make great photographs." That's the dumbest thing I ever heard in my life. It's nothing but a matter of seeing, and thinking, and interest.

Andreas Feininger

#11. Realism and superrealism are what I'm after. This world is full of things the eye doesn't see. The camera can see more, and often 10 times better.

Andreas Feininger

#12. It's nothing but a matter of seeing, thinking, and interest. That's what makes a good photograph. And then rejecting anything that would be bad for the picture. The wrong light, the wrong background, time and so on. Just don't do it, not matter how beautiful the subject is.

Andreas Feininger

#13. A technically perfect photograph can be the world's most boring picture.

Andreas Feininger

#14. Do not judge Ripred's behavior by that of his kind

Suzanne Collins

#15. Unless a subject interests me, I'll pass it over and save my film for better things.

Andreas Feininger

#16. Experience has shown that the more fascinating the subject, the less observant the photographer.

Andreas Feininger

#17. Don't look for "depth" but instead search for subject aspects which prove the presence of depth.

Andreas Feininger

#18. Any good photograph is a successful synthesis of technique and art.

Andreas Feininger

#19. Human vision is untrustworthy, subjective and selective. Camera vision is total and non - objective.

Andreas Feininger

#20. Before you shoot an irresistible subject, mute all your senses except sight to find out how much is left for the camera to record.

Andreas Feininger

#21. Don't you cry for the lost
Smile for the living
Get what you need and give what you'r given
Life's for the living so live it
Or you're better of dead

Passenger

#22. Each individual work serves as an expression of our most personal state of mind at that particular moment and of the inescapable, imperative need for release by means of an appropriate act of creation: in the rhythm, form, colour and mood of a picture.

Lyonel Feininger

#23. My wife's jealousy is getting ridiculous. The other day she looked at my calendar and wanted to know who May was.

Rodney Dangerfield

#24. The most beautiful landscape cannot hold my fascinated attention as much as nature by the seaside and all that is connected with water.

Lyonel Feininger

#25. Create something, sell it, make it better, sell it some more and then create something that obsoletes what you used to make.

Guy Kawasaki

#26. The first impression of a new subject is not necessary the best. Seen from a different angle or under different condition it might look even better. Always study a three - dimensional subject with one eye closed.

Andreas Feininger

#27. No one can do inspired work without genuine interest in his subject and understanding of its characteristics.

Andreas Feininger

#28. Two factors thus emerge as requisites of success in the field of creative photography. First, the subject must be photogenic. Second, its re-creation in a photograph must be based upon technical knowledge, guided and supported by artsitic inspiration.

Andreas Feininger

#29. The photographer has almost as much control over his subject matter as a painter. He can control light and shade, form and space, pattern and texture, motion and mood, everything except composition.

Andreas Feininger

#30. The difference in 'seeing' between the eye and the lens should make it obvious that a photographer who merely points his camera at an appealing subject and expects to get an appealing picture in return, may be headed for a disappointment.

Andreas Feininger

#31. There is no foreground or background, only a continuity of interlacing relationships

Lyonel Feininger

#32. Our goal is to make the best devices in the world, not to be the biggest.

Steve Jobs

#33. With a short lens I can reveal the hidden things near at hand, with a long lens the hidden things far away. The telephoto lens provides a new visual sensation for people: it widens their horizons. And, conversely, the things under our nose invariably look good when blown up really big.

Andreas Feininger

#34. Every successful photograph, except for lucky shots, begins with an idea and a plan. The more precisely a photographer knows what it is he wishes to do, the better the chances are that he will do it.

Andreas Feininger

#35. Where I used to strive for movement and restlessness I now attempt to sense and express the complete total calm of objects and the surrounding air.

Lyonel Feininger