Disney And Pixar Quotes

#1. If you have a kid and you try irony out on them, they don't get it at 7, 8 years old. You can't really hide the Internet from kids. It worries me some particularly because I've done Disney and Pixar stuff.

Randy Newman

#2. Anything that has to do with Disney and Pixar, I am on board with. That is where my heart and family are. So when they call, I jump.

Jodi Benson

#3. In overseeing both Disney and Pixar Animation, each studio has a unique culture.

John Lasseter

#4. I feel kind of fortunate that over the last 25 years I've been in almost every Disney/Pixar film.

Bob Bergen

#5. Pixar makes movies that make sense for Pixar, and Disney makes movies that make sense for Disney, and they've each emerged in their own unique way.

John Kahrs

#6. Why would I ever want to run Disney? Wouldn't it make more sense just to sell them Pixar and retire?

Steve Jobs

#7. I think Pixar has the opportunity to be the next Disney
not replace Disney
but be the next Disney.

Steve Jobs

#8. One of the head guys at Disney categorically said to me, 'We don't want to make children's films any more. We want to make films that are going to appeal to all quadrants.' Hence you have films like 'Shrek' and all the Pixar stuff, which is designed to suit everybody.

Gurinder Chadha

#9. studios down. (He also thought, frankly, that making us the stewards of both entities would guarantee that Pixar's traditions didn't get overtaken by those of the much larger corporation, the Walt Disney Company.)

Ed Catmull

#10. Pixar is going in the direction of the early Disney. And it's also corporate, where they have four or five projects in the works. I don't want to get into that subject.

Joe Grant

#11. 'Bolt' was made by Walt Disney Animation Studios, not by Pixar.

John Lasseter

#12. I like doing everything. That's why I came to Pixar, as opposed to Disney or any other studio - it's small. At the time I started, I was, like, the 10th person in the animation group, and we all had to do everything. That's the way I like it, keeping it fresh.

Pete Docter

#13. Now that had worked very successfully at Pixar, and he ended up adding one at Walt Disney Animation and one at DTS. So, I'm part of that Brain Trust where I sit in on all things creative for the whole studio, but especially in the Planes area.

Klay Hall

#14. In some ways, 'The Little Mermaid' was old-fashioned. Rendered in the hand-drawn style, it was the last Disney animated feature to use cels and Xeroxing. Pixar and its CGI imitators soon made that rigorous process obsolete.

Richard Corliss

#15. Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development.

John Lasseter

#16. Had the rights to make all the sequels and exploit the characters. I made a presentation that said, here's the 15% of Pixar that Disney does not already own. So that's

Walter Isaacson

#17. There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling.

Henry Selick

#18. Everyone at Junction Point has been inspired by the creative folks at Pixar and Disney Feature Animation to make 'entertainment for everyone.'

Warren Spector

#19. I mean, frankly, I'm not speaking as a representative of Disney or Pixar, I'm speaking as just myself as a filmmaker: I don't go into anything that often thinking about a sequel.

Andrew Stanton

#20. I love Pixar films; I think they're the greatest filmmakers in the world. I love Disney films. 'Tangled,' was great. I loved 'How to Train Your Dragon,' the Dreamworks film. But it's not for me. I don't want to make a film for families; I want to make adult films.

Bill Plympton