Top 100 Dirda Michael Quotes
#1. Neither my mom nor my dad ever bought me any comic books. Certainly not for Christmas. I suspect that doing so would have violated the Parents' Code.
Michael Dirda
#2. Sad to say, multi-tasking is beyond me. I read one book at a time all the way through. If I'm reviewing the book, I have to write the review before I start reading any other book. I especially hate it when the phone rings and interrupts my train of thought.
Michael Dirda
#3. Some travelers collect souvenirs, postcards, or bumper stickers; I bring home a pencil from the various places I visit.
Michael Dirda
#4. Books can be a source of solace, but I see them mainly as a source of pleasure, personal as well as esthetic.
Michael Dirda
#5. The goal of a just society should be to provide satisfying work with a living wage to all its citizens.
Michael Dirda
#6. I long ago ran out of bookshelf space and so, like a museum with its art, simply rotate my books from the boxes to the shelves and back again.
Michael Dirda
#7. Make sure your message is clear, yet that you are faithful to its complexity.
Michael Dirda
#8. No matter how beautiful the paper, artwork, printing, and binding, I'm seldom drawn to a book unless it's by a writer I care about or on a subject that appeals to me.
Michael Dirda
#9. From the late 19th to the early 20th century, the December issue of almost any general-interest magazine regularly featured a holiday horror or two.
Michael Dirda
#10. My own particular feline companion answers, or rather doesn't answer, to Cinnamon. One of my kids must have given her the name, even though she's mostly gray and white.
Michael Dirda
#11. I am something of an aficionado of thrift stores. In my youth, I regularly searched their shelves for old books.
Michael Dirda
#12. Many people know that Shakespeare's dramatic 'canon' was established in 1623 by the publication of the so-called First Folio. That hefty volume contained thirty-six plays.
Michael Dirda
#13. Fiction is a house with many stately mansions, but also one in which it is wise, at least sometimes, to swing from the chandeliers.
Michael Dirda
#14. Throughout the European Middle Ages and Renaissance, Latin was the language of learning and international communication. But in the early modern period, it was gradually displaced by French. By the eighteenth century, all the world - or at least all of Europe - aspired to be Parisian.
Michael Dirda
#15. While Napoleon believed his fortunes to be governed by destiny, his real genius lay in self-control and martial daring coupled with an indomitable will to power.
Michael Dirda
#17. When I was a boy in the late 1950s, the public library refused to stock books by Edgar Rice Burroughs. They were regarded as vulgar, ill-written potboilers.
Michael Dirda
#18. None of us, of course, will ever read all the books we'd like, but we can still make a stab at it.
Michael Dirda
#19. As with a love affair, the battered heart needs time to recover from a good work of fiction.
Michael Dirda
#20. I don't like gross monetary inequities. I firmly believe that the wrong people and the wrong professions are being rewarded, and rewarded absurdly, and that the hardest work the obscenely rich do is ensuring that they preserve their privileges, status symbols, and bloated bank accounts.
Michael Dirda
#21. Critics for established venues are vetted by editors; they usually demonstrate a certain objectivity; and they come with known backgrounds and specialized knowledge.
Michael Dirda
#22. Near my desk, I keep a large plastic carton filled with fresh notebooks and stationery of various kinds, sizes, and qualities.
Michael Dirda
#23. People who've read my reviews know my tastes, know how I approach a book, know my background. I can write with believable authority. It doesn't mean I'm always right.
Michael Dirda
#24. With concerted effort, I can follow written instructions, but don't ask me to simply grasp how to operate a smartphone.
Michael Dirda
#25. Long ago, I realized that my only talent - aside from the rugged good looks, of course, and the strange power I hold over elderly women - can be reduced to a single word: doggedness.
Michael Dirda
#26. Some of us, alas, are destined to find our escapes in novels, not life.
Michael Dirda
#27. For me, the two weeks between Christmas and Twelfth Night have come to be reserved for desultory reading. The pressure of the holiday is over, the weather outside is frightful, there are lots of leftovers to munch on, vacation hours are being used up.
Michael Dirda
#28. I didn't work for any newspapers in college, never worked for any newspaper before 'The Washington Post'.
Michael Dirda
#29. I suppose movie theaters are the churches of the modern age, where we gather reverently to worship the tinsel gods of Hollywood.
Michael Dirda
#30. In 1911, Edgar Rice Burroughs, having failed at everything else, decided to write a novel. He was then in his mid-thirties, married with two children, barely supporting his family as the agent for a pencil-sharpener business.
Michael Dirda
#31. In truth, I'm not really a cat person. Seamus, the wonder dog, still deeply mourned by all who knew him, was just about the only pet I've ever really loved.
Michael Dirda
#32. Throughout history the exemplary teacher has never been just an instructor in a subject; he is nearly always its living advertisement.
Michael Dirda
#33. In PLATO AT THE GOOGLEPLEX, Rebecca Newberger Goldstein set out to showcase, in sometimes startling ways, the continuing relevance of a classic philosopher. But what's remarkable is that she actually brings off this tour de force with both madcap brilliance and commanding authority.
Michael Dirda
#34. I once read that in vaudeville, it was often the straight guy who got paid more than the comic because that's the tougher job. He has to set up the jokes in just the right way.
Michael Dirda
#35. Most lyric poetry is about love, whether yearned after, fulfilled, or wistfully regretted; what isn't tends to consist of laments and cris du coeur over this, that, and the other.
Michael Dirda
#36. I love the look of books published by the firm of Rupert Hart-Davis: They strike me as handsome, elegant, and inviting. I'll pick up almost anything with that imprint, especially if it's in a jacket or priced low.
Michael Dirda
#37. The memory of a tone, the rhythm of an author's sentences, the sorrow we felt on a novel's last page
perhaps that is all that we can expect to keep from books.
Michael Dirda
#38. If you are given lined paper, write crosswise. At least occassionally.
Michael Dirda
#39. To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.
Michael Dirda
#40. Best selling authors are always worth listening to, even if you choose to ignore their advice.
Michael Dirda
#41. Since I make my living as a literary journalist, not a book scout, I spend inordinate amounts of time either reading or writing.
Michael Dirda
#42. Any man's death diminishes us, but when an artist passes away, we lose not just an island but an entire archipelago.
Michael Dirda
#43. It's a sad commentary on our time - to use a phrase much favored by my late father - that people increasingly celebrate Christmas Day by going to the movies.
Michael Dirda
#44. What I enjoy about reviewing and writing for newspapers and periodicals is simply the chance to talk about all kinds of books and lots of them.
Michael Dirda
#45. Science fiction is, after all, the art of extrapolation.
Michael Dirda
#46. I don't think of myself as a critic at all. I'm a reviewer and essayist. I mainly hope to share with others my pleasure in the books and authors I write about, though sometimes I do need to cavil and point out shortcomings.
Michael Dirda
#47. This Is Not a Novel memorializes the treasures and detritus of one man's singularly cultured mind. ( ... ) If you don't know Writer's work at all, try This Is Not a Novel. There may be some doubt about exactly what kind of book it is, but not that it's altogether wonderful.
Michael Dirda
#48. For even the ordinary well-read person, the French Enlightenment is largely restricted to the three big-name philosophes: Diderot, Rousseau, Voltaire.
Michael Dirda
#49. With any luck, Heaven itself will resemble a vast used bookstore, with a really good cafe in one corner, serving dark beer and kielbasa to keep up one's strength while browsing, and all around will be the kind of angels usually found in Victoria's Secret catalogs.
Michael Dirda
#50. Halloween isn't the only time for ghosts and ghost stories. In Victorian Britain, spooky winter's tales were part of the Christmas season, often told after dinner, over port or coffee.
Michael Dirda
#51. I once read that there are more biographical works about Napoleon Bonaparte than any other man in history.
Michael Dirda
#52. Reading books might itself be a bit weird, but obviously okay, since books were part of school, and doing well in school was clearly a good thing. But comics were more like candy, just flashy wrappers without any nourishment. Cheap thrills.
Michael Dirda
#53. I'm sometimes willing to put in vast, even inordinate amounts of time if I find a project that interests me.
Michael Dirda
#54. I haven't read for pleasure in 35 years. I mean, I get a lot of pleasure from what I read ... For me, it's gotten so that it doesn't seem as though I've read a book unless I've written about it. It really seems the completion of the reading process.
Michael Dirda
#55. We learn best by placing our 'confidence in men and women whose examples invite us to love what they love'(Robert Wilken).
Michael Dirda
#56. Once upon a time, I sat in my mother's lap as she turned the pages of Golden Books, and I gradually learned to read.
Michael Dirda
#57. The world is a library of strange and wonderful books, and sometimes we just need to go prowling through the stacks.
Michael Dirda
#58. The savagery and power of Edith Wharton's ghost stories surprised me.
Michael Dirda
#59. I sometimes lie awake at night and try to imagine what would be the best period in history to spend one's seventy-odd years.
Michael Dirda
#60. In a single lifetime, roughly from 1865 to 1930, one finds the pioneering and patterning works of modern fantasy, science fiction, children's literature and detective fiction, of modern adventure, mystery and romance.
Michael Dirda
#61. Most scholarly books we read for the information or insight they contain. But some we return to simply for the pleasure of the author's company.
Michael Dirda
#62. My gift, if that's not too grandiose a term, is one for describing novels, biographies, and works of history in such a way that people want to read them.
Michael Dirda
#63. Literary generations come and go, and each generation passeth away and is heard of no more. In the end, simply the making itself - of poems and stories and essays - delivers the only reward a writer can be sure of. And, perhaps, the only one that matters.
Michael Dirda
#64. Writers keep writing and publishers publishing - it never grows boring.
Michael Dirda
#65. When I talk to friends and editors about possible projects, especially about projects that might come with a significant cash advance, they usually suggest a biography. Sometimes I'm tempted, but the prospect of spending years researching and writing about someone else's life offends my vanity.
Michael Dirda
#66. For those of us with an inward turn of mind, which is another name for melancholy introspection, the beginning of a new year inevitably leads to thoughts about both the future and the past.
Michael Dirda
#67. A good rule of thumb is: Pack twice as many books as changes of underwear.
Michael Dirda
#68. At any given moment, I've always assumed that nearly everyone around me was smarter than I was, more naturally gifted, quicker-witted, and probably capable of understanding Heidegger and Derrida.
Michael Dirda
#69. A job should bring enough for a worker and family to live on, but after that, self-realization, the exercise of one's gifts and talents, is what truly matters.
Michael Dirda
#70. What matters are those ordinary acts of kindness and of love, not vaulting ambition with its attendant hubris and smugness.
Michael Dirda
#71. Many cultures believe that on a certain day - Halloween, the Irish Samhain Eve, Mexico's 'Dia de los Muertos' - the veil between this world and the next is especially thin.
Michael Dirda
#72. A reviewer's lot is not always an easy one. I can remember flogging myself to finish Harold Brodkey's 'The Runaway Soul' despite the novel's consummate, unmitigated tedium.
Michael Dirda
#73. Basically, I think that most people either make too much money or not enough money. The jobs that are essential and important pay too little, and those that are essentially managerial pay far too much.
Michael Dirda
#74. Close friends, or those in my pay, sometimes call me a literary polymath, while others say that I'm just a shallow dilettante, superficial and breezy, with a faux-naif style.
Michael Dirda
#75. Sometimes the very best of all summer books is a blank notebook. Get one big enough, and you can practice sketching the lemon slice in your drink or the hot lifeguard on the beach or the vista down the hill from your cabin.
Michael Dirda
#76. I think the essence of [Kurt] Vonnegut's humanism lay in his emphasis on human kindness as, so to speak, our saving grace.
Michael Dirda
#77. Because of Kipling, I've sometimes wondered about keeping a mongoose about the house. But given the cobra population in Silver Spring, Maryland - zero, when last I checked - we hardly need a Rikki-Tikki-Tavi.
Michael Dirda
#78. Adventurous reading allows one to escape a little from the provincialities of one's home culture and the blinders of one's narrow self.
Michael Dirda
#79. I've been slightly obsessed with paper and notebooks. Among my most precious possessions is a small light-blue, breviary-sized volume - four-and-a-half inches wide, seven inches tall - made by a company called Denbigh.
Michael Dirda
#80. Like most people, I find watching the lazy and quiet underwater realm of a big aquarium exceptionally calming.
Michael Dirda
#81. 'The Admirable Crichton' is probably Barrie's most famous work after 'Peter Pan', nearly a pendant to that classic.
Michael Dirda
#82. The only kind of notebook I actively dislike is the steno pad, entirely because of that vertical line down the middle of the page. I presume it has some arcane secretarial use, but to me, it's both ugly and confusing.
Michael Dirda
#83. Not all of E. Nesbit's children's books are fantasies, but even the most realistic somehow seem magical. In her holiday world, nobody ever goes to school, though all the kids know their English history, Greek myths, and classic tales of derring-do.
Michael Dirda
#84. Whatever Kurt Vonnegut's ultimate status will be in the annals of literature, he was important to a lot of people right now. That's what most writers really care about.
Michael Dirda
#85. My wife tells me I should check out 'Downton Abbey', but I gather that series might be almost too intense for my temperate nature.
Michael Dirda
#86. Young people looking for adventure fiction now generally turn to fantasy, but for those of a certain age, the spy thriller has long been the escape reading of choice.
Michael Dirda
#87. I think that his [Kurt Vonnegut's] appeal, though, will always be chiefly to adolescents. His sense of the world matches that of young people, who feel deeply life's absurdity.
Michael Dirda
#88. People sometimes think that I bring home all these old books because I'm addicted, that I'm no better than a hoarder with a houseful of crumbling newspapers.
Michael Dirda
#89. Mentoring is the last refuge of the older artist. With luck, disciples will keep one's books in print, one's reputation alive.
Michael Dirda
#90. Summertime, and the reading is easy ... Well, maybe not easy, exactly, but July and August are hardly the months to start working your way through the works of Germanic philosophers. Save Hegel, Heidegger, and Husserl for the bleaker days of February.
Michael Dirda
#91. Late summer is perfect for classic mysteries - think of Raymond Chandler's hot Santa Anas and Agatha Christie's Mediterranean resorts - while big ambitious works of nonfiction are best approached in September and early October, when we still feel energetic and the grass no longer needs to be cut.
Michael Dirda
#92. Deep in my cortex, the year is divided into reading seasons. The period from mid-October to Christmas, for instance, is 'ghost story' time, while Jane Austen and P. G. Wodehouse pretty much own April and May.
Michael Dirda
#93. I've always liked an easygoing, colloquial style. I like the kind of reviewer who is essentially a fellow reader, an enthusiast, a fan.
Michael Dirda
#94. In my own case, my folks didn't actually object to comics, as many parents did, but they pretty much felt the things were a waste of time.
Michael Dirda
#95. The patient accretion of knowledge, the focusing of all one's energies on some problem in history or science, the dogged pursuit of excellence of whatever kind
these are right and proper ideals for life.
Michael Dirda
#96. I think of my own work as part of a decades-long conversation about books and reading with people I will mainly never meet.
Michael Dirda
#97. Born in 1910, Wilfrid Thesiger spent his childhood in Ethiopia, or Abyssinia, as it was then called, where his father was an important and much-admired British official.
Michael Dirda
#98. My urge at Christmas time or Hanukkah-time or Kwanzaa-time is that people go to bookstores: that they walk around bookstores and look at the shelves. Go to look for authors that they've loved in the past and see what else those authors have written.
Michael Dirda
#99. Carl Barks was born in Merrill, Oregon, in 1901, grew up in a farming family, and eventually held a number of blue-collar jobs. He knew what it was to be poor and to work hard for a living.
Michael Dirda
#100. As book collectors know all too well: We only regret our economies, never our extravagances.
Michael Dirda
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