Dilled Brussel Quotes

#1. A woman's income appeal is a bell-shaped curve: men do not want to date low-earning women, but once a woman starts earning too much, they seem to be scared off.

Steven D. Levitt

#2. I think drama school really teaches you how to annunciate; you're conscious that people might not understand you if you speak too fast and too Welsh.

Iwan Rheon

#3. More glorious to merit a sceptre than to possess one.

Napoleon Bonaparte

#4. Peace is when time doesn't matter as it passes by.

Maria Schell

#5. A couple who go on living together merely because that was how they began, without any other reason: was that what we were turning into?

Simone De Beauvoir

#6. The need to deal with pathogens has driven the evolution of the vertebrate immune system, so it should not be surprising that experiments with infectious agents have often illuminated key elements of the underlying mechanisms.

Peter C. Doherty

#7. Learn to love yourself and all that other stuff will not matter

Keke Palmer

#8. But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.

Nick Mason

#9. Paris? People always say Paris is the shit. "Yes, I've never understood the American obsession with that city. The food is actually quite terrible on the whole, and the people can be rather awful if you don't speak the language.

Tommy Wallach

#10. The defect of equality is that we desire it only with our superiors.

Henry Becque

#11. You realise good girls don't really go to heave, right?

Stephanie Tromly

#12. I had stopped doing anything for myself. I no longer felt like an individual because for thirteen years, I was one-half of a we.

Brandi Glanville

#13. I went to an all-girls' Christian convent school run by nuns. It was fun, but when I was 15, I said, 'Mum, that's it - I need to go where there are some boys.'

Freida Pinto

#14. Criticism and rejection are not personal insults, but your artistic component will not know that. It will quiver and wince and run to cover, and you will have trouble in luring it out again to observe and weave tales and find words for all the thousand shades of feeling that go to make up a story.

Dorothea Brande