Deepa Mehta Quotes

#1. Oh my God! Why did I leave India? I fell in love with a white man. That's what it was. It was the most boring, predictable reason in the world. I met him in India, we fell in love, and we got married. And then, we got divorced. Sorry about that.

Deepa Mehta

#2. I get it, she's your rock. Your anchor in the storm. ~Bo~

Lucian Bane

#3. When I moved to New York, I fell head over heels back into country music and probably 'cause I missed something about Texas.

Norah Jones

#4. Fundamentally, the basis of all modern progress is the efficiency of labor. And the only sure road to restored prosperity is through the thrift and hard work of our people as a whole.

Charles M. Schwab

#5. My screenplays are very detailed. The reason they're detailed ... you have to think on your feet. You have to be ready to change because there are no such things as ideal conditions.

Deepa Mehta

#6. I think it's really important not to be so judgmental and not to be so fearful. Try to have confidence in yourself. Don't depend so much on what others say about you or want you to be.

Deepa Mehta

#7. Even though ashrams ... probably still exist in India, you don't find a child widow anymore.

Deepa Mehta

#8. We cannot force our self to stay longer with something,situation or with the person who we don't really like . The best decision is to move on so then we can stay happy with our life style.

Deepa Mehta

#9. The intense campaigns against domestic violence, rape, sexual harassment, and inequity in the schools all too often depend on an image of women as weak and victimized.

Katherine Dunn

#10. I write mostly as a director. That's why my screenplays are very detailed. So I get into the images I see. I like that.

Deepa Mehta

#11. I've never seen or heard of a mob sitting down to read a film script.

Deepa Mehta

#12. I think it would be lovely to see some features on a disc of 'The Rocketeer,' with some reminiscing. I think that would be dynamite.

Billy Campbell

#13. The nice thing about writing at home is that it's almost as though I'm doing it already. I get out of bed thinking of my work, and I don't have to go anywhere to do it.

Patrick DeWitt

#14. When I was exposed to the history and the cultural background of why women whose husbands die, why they have to become ascetic or live a life that is completely deprived of emotional or social or cultural sustenance, I was really shocked.

Deepa Mehta

#15. While we're working on the script, I never see any films. I make it a point because I don't want to get distracted. I don't want to be influenced, and before I know it, have somebody say, "My God, she plagiarized that line."

Deepa Mehta

#16. Sometimes I dread the truth of the lines I say. But the dread must never show.

Vivien Leigh

#17. To make a film is very difficult - it doesn't make a difference whether you are a man or a woman

Deepa Mehta

#18. It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult.

Deepa Mehta

#19. The most interesting part of IIFA is that I get to meet filmmakers from India. I just attended a symposium on Satyajit Ray with Rituparno Ghosh and others. It was just so satisfying

Deepa Mehta

#20. Once the script is done, I put it aside for a month. I start thinking of all the films that have influenced me, which I have liked for different reasons, and not necessarily the look, but films that have moved me. Some very strange films came to mind.

Deepa Mehta

#21. In 2008, I just decided that there will come a time when I am dead and gone, and I only have a body of work to show. That was when I did films like 'Last Lear' and Deepa Mehta's 'Heaven On Earth.' They were serious roles.

Preity Zinta

#22. It is not a conspiracy, don't call it a conspiracy. It is all out in the open and it stands on the ignorance, apathy and stupidity of the American people that is the foundation upon which the New World Order is built.

William Cooper

#23. It's the age of reason for the anarchist.

Bob Seger

#24. One of the things that I really love about doing a film is working with actors and the whole casting process. I feel I'm not looking for actors. I feel I'm looking for characters. If the characters come from Bollywood, fine. If they come from Indian theater, perfect.

Deepa Mehta