Danger Mouse Quotes

#1. Danger Mouse is now working on a bunch of other records, translating his ideas about remixing into all sorts of other projects.

Damon Albarn

#2. I've always been more of a nerdy, academic type. I loved 'Star Wars' growing up. I have three older brothers, so they were a big influence on me. We loved 'Danger Mouse,' and we love 'Monty Python'. We loved any kind of British comedy and 'Wallace and Gromit' and all of that stuff.

Mara Wilson

#3. You're not getting the b-level tunes. Our most recent producer, Danger Mouse, was quite sure about that. So you're getting the best of the best, the cream of the cream of what we have to offer.

Anthony Kiedis

#4. I often have an argument with people. I say name me a classic song that's not sad in some kind of way. And even if you can, you'll have to search pretty far.

Danger Mouse

#5. What affected me the most about the Beatles was that they were the biggest band in the world and they could have done anything they wanted.

Danger Mouse

#6. Even with artists I love, only about a third of their music is what really hits the sweet spot for me.

Danger Mouse

#7. A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you.

Danger Mouse

#8. The musicians themselves don't seem to know enough about why they're in the positions they're in, so they're afraid to lose those positions.

Danger Mouse

#9. If you're wandering the streets, talking in gibberish, nobody ever asks you to change anything about your art because there's no context for people to look at what you do.

Danger Mouse

#10. I have no shame in making music that maybe, if you listen to it long enough, you'll realize you've heard this or that part of it before. I'm still very excited by an amazingly written song, so that's really the thing that I work on when I make records with people.

Danger Mouse

#11. When I don't have a good time making music, I think of quitting a lot. I really do. I can create something else. I'll do something else.

Danger Mouse

#12. I started out really making music in my dorm room, and it wasn't really producing or anything like that; it was you making something.

Danger Mouse

#13. If you're 22 years old and you can't believe you're even in the position to have a career making music, the first thing you're going to think is: Maintain. Don't lose it. And that's precisely what causes you to lose everything.

Danger Mouse

#14. I have ideas all of the time from the beginning, but they never really wind up turning out like I thought they would.

Danger Mouse

#15. Going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.

Danger Mouse

#16. I've had nightmares about having to kick people out of my band because they've said that they don't like the Beatles. I'd wake up and turn to them and say, "You like the Beatles, right?"

Danger Mouse

#17. Broken Bells reminds me how much fun I have making music.

Danger Mouse

#18. I always thought 'Rome' would change things for me, that people would finally understand what I do.

Danger Mouse

#19. I'm into song-writing; I'm into melodies that break your heart a little bit. That's the thing that got me into music; that's what I look for in music for the most part.

Danger Mouse

#20. No matter how naturally gifted you are, it's your passion that's going to make you better and maybe touch some people.

Danger Mouse

#21. I find that the kinds of music I'm drawn to are those that a lot of people take for granted.

Danger Mouse

#22. Daft Punk wouldn't have normally fit into anything that was pop on the radio, but they just did it.

Danger Mouse

#23. After the 'Grey Album,' everyone thought of me as the hip-hop guy, the remix maestro. I didn't know how to show them otherwise.

Danger Mouse

#24. I'd hate to have to leave music, but if I got stuck some place, I would.

Danger Mouse

#25. I'm not really a knob-twiddler. I always work with an engineer; I'm not super hands-on when it comes to mixing boards and computers. I'm much more about what I'm hearing and what it needs to be like. I deal with songs and ideas and instruments.

Danger Mouse

#26. Basically, the way I do it is I get to work with a bunch of people; get a bunch of great people together, and you'll be able to get something cool on the other side.

Danger Mouse

#27. The first two projects I did out of my dorm room were mock film soundtracks.

Danger Mouse

#28. I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.

Danger Mouse

#29. If you know what kind of music somebody loves, then you can kind of figure out why they do what they do.

Danger Mouse

#30. When you're younger, you have ideas and visions of what you're going to be like when you're older and what love is going to be like and who you're gonna be married to and all of these different things.

Danger Mouse

#31. I was thinking that people have to believe you're crazy in order to take you seriously as an artist.

Danger Mouse

#32. In the end, I think musicians know that getting up in the morning and making music you love doesn't necessarily mean that you deserve billions of dollars or worship from anybody.

Danger Mouse

#33. Some people have been listening to the Beatles their whole lives; I didn't discover them until I was 18 years old.

Danger Mouse