Cello Sound Quotes

#1. The only sharks I'm afraid of are the ones that wear three-piece suits and write memos.

Laurie Nadel

#2. I've noticed if you look too far ahead, it only works negatively on you.

Patrick Kane

#3. There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.

Yo-Yo Ma

#4. Life is nothing without passion.

Emma Michelle

#5. (Stoner lowered the gun to Carlos's crotch.)
Should we continue splitting hairs? (Stoner)

Sherrilyn Kenyon

#6. We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.

Luka Sulic

#7. It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.

Stjepan Hauser

#8. There are a lot of ways to be expressive in life, but I wasn't good at some of them. Music, for instance. I was a distinct failure with the cello. Eventually, my parents sold the cello and bought a vacuum cleaner. The sound in our home improved.

Sam Abell

#9. And part of my vision is to do dynamic videos for kids.

Tim LaHaye

#10. I am dying: it's a beautiful word. Like the long slow sigh of the cello: dying. But the sound of it is the only beautiful thing about it.

Sonya Hartnett

#11. I guess I'm interested in pushing the boundaries of the cello without giving up on the idea of playing the cello, if that makes any sense. I have no real interest in putting the cello through different effects to make it sound like a guitar or other instruments.

Okkyung Lee

#12. A cello can sound like so many instruments, but it's only one, you know, like a guitar; it has percussive qualities. It can sing like the violin, you know, like a voice.

Luka Sulic

#13. I think a double bass for me would be too much effort. But the cello, you're really engaged and the sound is kind of right here. So, it feels like being merged, married to an instrument.

Tod Machover

#14. Wow...that was SQUISHY.

ZondarTheBear

#15. The range of the cello is so big, it can play as low as the double bass and as high as the violin. It has the perfect shape, and its sound is the closest to the human voice.

Luka Sulic

#16. Wine and women bring misery.

Martial

#17. We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped us develop our sound even more.

Luka Sulic

#18. In all ages of the world this eminently plausible fiction has lured the obtuse infant to financial ruin and disaster.

Mark Twain

#19. We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.

Luka Sulic

#20. The cello is not one of my favourite instruments. It has such a lugubrious sound, like someone reading a will.

Irene Thomas

#21. So many things are lost in the dark. A slight misstep and we lose our footing. A quick hand in a pocket and we lose our money. A coat hanger in a womb and we lose a fetus. A swift puncture and we lose a life.

Pat Henshaw

#22. The paintings are more about physicality and gesture than meditation. I'd compare it to playing scales on the Cello - each sound (pitch and intensity) depends on the manner in which you hold and apply the bow. The same goes for the gesture of applying paint to a surface.

Stephen Beal

#23. Bread pudding makes me weak. I have been known to be moved to tears by cookies and ice cream, and ribs are a spiritual experience for me.

Bill Rancic

#24. I'm always anxious in introducing sounds that don't originate with the cello.

Julia Kent

#25. To me extreme things are like miracles. There is nothing as boring as a person who is just okay. But I could easily live in a world populated with these disjunctive, bizarre things ... I operate out of confusion, towards clarity.

Joel-Peter Witkin