Camelot Burning Quotes

#1. just ignored the bad parts of him. Sometimes you have to do that with people.

Jen White

#2. An attempt at visualizing the Fourth Dimension: Take a point, stretch it into a line, curl it into a circle, twist it into a sphere, and punch through the sphere.

Albert Einstein

#3. The only thing evil can't stand is forgiveness.

Fred Rogers

#4. There is one thing that I feel I still have to do and that is gain revenge over Lennox Lewis. If Lewis came back I would find the motivation to return to boxing and beat him.

Vitali Klitschko

#5. I never claimed to be famous. Notorious I have always been.

Lola Montez

#6. God gives you the resources for success. But it is up to you to recognize them and use them to their fullest.

T.D. Jakes

#7. In the last twelve years, we have come some distance towards reconciliation and the breaking down of disadvantage. Let us take encouragement from what has been achieved and set our minds and hearts to end the remaining roadblocks.

Malcolm Fraser

#8. There's always hope when it's a question of whether we should love.

Kathryn Rose

#9. There is a certain moment in the film when the son is in the nursing home and he goes to the television and turns it off because he sees himself in the image.

Atom Egoyan

#10. Cherry Money Baby is fabulous in every sense of the word! It's earthy and smart and moving, laugh-out-loud funny, surprising, inventive, suspenseful, and - Oh, Hell - just gorgeously written!

Tim Wynne-Jones

#11. We must not play as gods of the world.

Kathryn Rose

#12. Why do guests always end up in the kitchen at parties? Is it a social phenomenon? Some strange gravitational pull? I don't know, but one thing is for sure: If your friends are going to congregate in your kitchen, you'd better make it as nice as possible.

Candice Olson

#13. The type of weapon you prefer and in which you have most faith,is the best for you.

John "Pondoro" Taylor

#14. If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.

Geoffrey Rush