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                #1. Nor do they trust their tongue alone, but speak a language of their own; can read a nod, a shrug, a look, far better than a printed book; convey a libel in a frown, and wink a reputation down.
                Jonathan Swift
							 
            
                    
		    
                #2. But you know how it is with fathers and sons. We can't say what we want to say. We think a nod is a paragraph and a sentence is a book, and, in the end, all that's important is left unspoken.
                Peter Kirby
							 
            
            
		    
                #3. Critical opinion on my films has always been salvaged by what I would call subsequent critical opinion.
                Stanley Kubrick
							 
            
            
		    
                #4. I'm never certain of a performance - my own or the other actors' - or the script or anything ... But to me it seems there's only one place in the world the camera can be, and the decision usually comes immediately.
                Orson Welles
							 
            
                    
		    
            
            
		    
            
            
		    
                #7. Being injured is quite an awkward situation to be in mentally. Physically, it's quite good to have a bit of a rest, but mentally it's hell.
                Magnus Backstedt
							 
            
            
		    
                #8. I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
                Kate Atkinson
							 
            
                    
		    
                #9. Just remember, you've got to take yourself with you. I prefer get over got.
                Brian Spellman
							 
            
            
		    
                #10. As a child, she'd been a great reader, finding the ultimate escape within the pages of a story. She learned that opening a book was like opening a set of double doors - the next step would take her inside to Neverland or Nod, Sunnybrook Farm or Mulberry Street.
                Susan Wiggs
							 
            
            
		    
                #11. Something is always wanting to incomplete fortune.
[Lat., Curtae nescio quid semper abest rei.]
                Horace
							 
            
            
		 
		
			        
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