
Top 32 Best Cello Quotes
#1. My mom says that my dad coerced me into choosing the cello. He says that's not entirely true. I don't remember; I was three.
Joshua Roman
#2. I record cello Etudes that are fewer than four minutes long and post them on YouTube. How can one execute fully-formed ideas with utmost perfection, yet stay free enough to allow improvisatory nuance? This has immediate application in almost every area of life, but especially in performance.
Joshua Roman
#3. I'm a pretty good drummer. I'm pretty good at guitar, bass and piano. I can play accordion; I'm not virtuoso. I've played cello before. My sister played it, and I know how to play it, but I'm not the best. Violin is kind of the same thing.
Brendon Urie
#4. There are a lot of ways to be expressive in life, but I wasn't good at some of them. Music, for instance. I was a distinct failure with the cello. Eventually, my parents sold the cello and bought a vacuum cleaner. The sound in our home improved.
Sam Abell
#5. I remember a moment when the Prince went back to his old school, Grammar School in Melbourne, and slightly to his horror his old music teacher produced a cello.
Anthony Holden
#6. I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
Okkyung Lee
#7. The cello is such a melancholy instrument, such an isolated, miserable instrument.
Ritchie Blackmore
#8. I was a rebel and I wanted to do something that nobody else did, and nobody else played the cello. Also, I was also a small kid and I liked the fact that it was big.
Maya Beiser
#9. It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.
Stjepan Hauser
#10. I belong to an improv group, I play cello, I have these phases - fencing, tae kwon do, baseball, ice hockey, boogie boarding in the summer, snowboarding in the winter.
Ty Simpkins
#11. We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.
Luka Sulic
#12. I read a lot of autobiographical stories, and I write plays and prose. And I play piano and cello. A lot of my downtime is devoted to that.
Alexis Dziena
#13. If I could play an instrument, it would probably be a cello or an electric guitar.
Jeff VanderMeer
#14. Whoever heard of an electric violin, electric cello or, for that matter, an electric singer?
Andres Segovia
#15. If I were to run around the world playing just the cello concertos - and believe me, I love playing them - I would be counting my entire repertoire from year to year on my two hands
David Finckel
#16. He cupped her face and held her still, as he looked into her brown eyes; she was all flash and no bang. She talked big, but when it came down to it, she was a simple girl.
Elaine White
#17. I'm interested in directing attention and focus, explored through playing cello.
Joshua Roman
#18. I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.
Tom Fontana
#19. I used to play cello. My mother kept me out of school a whole year to study music and counterpoint. She thought I had ability, but I was absolutely without talent.
Ernest Hemingway,
#20. I would like to learn to play the cello. I would like to paint. I would like to fully understand the concept of pi.
Julia Roberts
#21. People don't think of cello as a rock instrument, really, and we want people to know all the possibilities that the cello can offer.
Luka Sulic
#22. You'd wait in the orchard for hours
to watch a deer
break from the shadows.
You said it was like lifting a cello
out of its black case.
Eduardo C. Corral
#24. I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.
Evelyn Glennie
#25. There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.
Yo-Yo Ma
#26. Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we've had was with our other girl, the cello. If you noticed, it has the shape of a female.
Luka Sulic
#27. Why is it that we understand playing the cello will require work, but we attribute writing to the magic of inspiration?
Ann Patchett
#28. I love music. I still play cello a few times a week.
Olivia Culpo
#29. The only weapons I ever had were my cello and my baton.
Pablo Casals
#30. Dieter walked a little ahead of the other actors, murmuring to his favourite horse. The horse, Bernstein, was missing half his tail, because the first cello had just restrung his bow last week.
Emily St. John Mandel
#31. The butter from Dorothy's' crumpet
Dripped into the bell of her trumpet.
Sweet young Edgar, eating Jell-O,
Dropped a spoonful onto is cello.
Angelica Banks
#32. Oh, a man with a guitar is nothing compared to a man with a cello! Girls really like the way that we handle our instruments.
Eicca Toppinen
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