Top 36 Berkeley Breathed Quotes
#1. I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child - which is ironic because I was never, never sentimental about him as many of his fans were.
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#2. Cartooning is about deconstruction: you gotta tear something down to make a joke.
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#3. Despite what they tell you, there are simply no moral absolutes in a complex world.
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#4. I grew up in Los Angeles and always wished I'd spent a childhood in a far different place.
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#5. A mind is a terrible thing. All this evolution nonsense is making me feel like a complete APE!
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#6. Some of us find our lives abridged even before the paperback comes out.
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#7. My post-child period resulted in one instant change: I write shorter books for kids.
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#8. I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
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#9. I'll confess right here that I secretly wish I'd have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.
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#10. 'Harry Potter' shouldn't be children's first experience with suspense and plot turns.
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#11. And that's why any of my picture books exist: They all seem to be built backwards from a simple, emotionally optimistic story beat.
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#12. I knew 'Mars Needs Moms! ' would be a movie seconds after the title came to mind. Similarly, I also knew that my daughter would be calling me a dork as a default term of endearment eventually.
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#13. I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
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#14. Now, I take full blame for all that came next. For I continued the story ... but departed the text.
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#15. Negative humor is forgotten immediately. It's the stuff that makes us feel better about our lives that lives long. Much more satisfying. Enter children's books.
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#16. Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
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#17. I could draw Bloom County with my nose and pay my cleaning lady to write it, and I'd bet I wouldn't lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.
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#18. Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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#19. It was a huge challenge to learn digital painting well enough so that computers don't pop into mind when one sees one.
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#20. Such is the nature of comic strips. Once established, their half-life is usually more than nuclear waste. Typically, the end result is lazy, rich cartoonists.
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#21. The universe throws us some obvious little pitches sometimes, and we need to be awake enough not to let them slip by.
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#22. If I could have drawn a cat yelling for lasagna every day for 15 years and have them pay me $30 million to do so, I would have.
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#24. That's the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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#25. Just the usual formality before the chaos begins. Like playing the National Anthem before a Cubs game.
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#26. I started as a news photographer at the University Of Texas' Daily Texan.
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#27. If nothing is serious anymore, then there's nothing to satirize.
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#28. I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn't exist.
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#29. And just as it is with all proper grannies, she ordered me into my pink bunny jammies.
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#31. I happen to think nearly everybody - especially those one might find in the odd issue of 'People' magazine, including me - is frightfully boring, Especially me. And Tom Cruise. Tom and I are alike in only this way.
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#32. Bloom County was set in a tidy, rural environment probably because of Harper Lee's 'To Kill a Mockingbird.'
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#33. The cartooning was always just an abstraction. It was an income. It was making me famous. It was allowing me to go and do other things that I'd wanted to do.
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#34. Steve Dallas ... a frat-boy lawyer who I knew in school. He's never written me. I suspect he was shot by an annoyed girlfriend, which has saved me many legal fees.
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#35. I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
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#36. A very, terribly long time ago,
before such things as television
and good table manners or even
children, ferocious monsters
roamed a younger, angrier world.
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