Top 20 Amedeo Modigliani Quotes
#1. I want to be a tuneswept fiddle string that feels the master melody, and snaps ...
Amedeo Modigliani
#2. In the summer of 2009, I modestly predicted that most major news organisations would be charging for content within 12 months. Charging, I argued, would not only plug the revenue gap; it would also help to re-establish value in their news product.
Lionel Barber
#8. Just as the Russians and the Soviets didn't manage to wipe out languages in Lithuania, neither have they managed to wipe out religion to the extent that we had feared.
Jeane Kirkpatrick
#9. We should be careful to get out of an experience only the wisdom that is in it and stop there lest we be like the cat that sits down on a hot stove lid. She will never sit down on a hot stove lid again and that is well but also she will never sit down on a cold one anymore.
Mark Twain
#10. What I look for is neither reality nor unreality but the subconscious, the instinctive mystery of the human race.
Amedeo Modigliani
#12. He decided that we suffer from great temporal homesickness for the decade we were born in.
Thomas Pynchon
#13. I was born in St. Louis but lived there just for a few minutes in my life.
Maya Angelou
#14. With one eye you are looking at the outside world, while with the other you are looking within yourself.
Amedeo Modigliani
#15. Rome is not outside me, but inside me.. Her feverish sweetness, her tragic countryside, her own beauty and harmony, all these are mine, for my thought and my work.
Amedeo Modigliani
#16. I'd like to change the depictions of life, love, and adventure under what's known as the typical, overused backdrop of Hollywood.
Romany Malco
#17. An uncertain and doubting mind leads to fresh world visions and the possibility of new and ever-changing realities.
Michael Shermer
#18. What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.
Amedeo Modigliani
#19. Every great work of art should be considered like any work of nature. First of all from the point of view of its aesthetic reality and then not just from its development and the mastery of its creation but from the standpoint of what has moved and agitated its creator.
Amedeo Modigliani
#20. The days will have more hours while you are gone away.
Emily Dickinson
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