Top 23 Neville Marriner Quotes
#1. Most Beethoven symphonies require 80 or more instruments, and the late romantics even more.
Neville Marriner
#2. So in one leap we had gone from being a friendly society to something almost professional.
Neville Marriner
#3. So I think we got together as the Academy to give ourselves that sort of responsibility and to play well.
Neville Marriner
#4. I would like new people with new ideas to come into it and change it.
Neville Marriner
#5. I think the quality of something like the Beveridge, for instance, will have a life of its own.
Neville Marriner
#6. If the (British) Arts Council give you money, they also tell you how to spend it.
Neville Marriner
#7. There are some sounds that English singers find quite difficult to manipulate.
Neville Marriner
#9. One thing we were looking for from the start was players who really fit together, who sounded in tune.
Neville Marriner
#10. If we perform the romantic repertoire we need more musicians.
Neville Marriner
#11. This American Jewish music is a new experience for us at least consciously.
Neville Marriner
#12. Before, we may have taken part in it without even thinking it was American Jewish, but in this case, I think, you have now perhaps pointed us in a direction of a new interest in this repertoire.
Neville Marriner
#14. As you know, there are certain languages that lend themselves very easily to vocal use.
Neville Marriner
#15. I just wish, maybe, that I'd started conducting earlier. I was about 40 when I started. Apart from that I don't really have any regrets. Is that bad?
Neville Marriner
#16. Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.
Neville Marriner
#17. The awful thing about a conductor becoming geriatric is that you seem to become more desirable, not less.
Neville Marriner
#18. So I've never found there was any particular separation between the two cultures at all, musically speaking.
Neville Marriner
#19. One of the great virtues, apart from the pleasure of performing these works, is that it's opened up an entirely new, expansive repertoire of American Jewish music.
Neville Marriner
#20. Taste is changing, style is changing, and players' abilities are changing.
Neville Marriner
#21. But the most important test is to take them on tour and see if you can bear to spend time with them.
Neville Marriner
#23. Music is a continuum and the modern and avant-garde composers of today will be part of the standard repertoire 30 years from now.
Neville Marriner
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