Top 32 Jonathan Demme Quotes
#1. I don't think it's sacrilegious to remake any movie, including a good or even great movie.
Jonathan Demme
#2. When you're working on a script, every word that's on the page, somebody has to read it. Make every word count in your stories.
Jonathan Demme
#3. I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.
Jonathan Demme
#4. I only work with actors who take full responsibility for their characters.
Jonathan Demme
#5. I didn't go to film school so my learning was done out in public and showed up on the screen.
Jonathan Demme
#6. I felt from time to time that shooting live music is the most purely cinematic thing you can do. Ideally, the cinema is becoming one with the music. There is little artifice involved. There's no acting. I love it.
Jonathan Demme
#7. I'm of Neil Young's generation. Neil Young's songs have spoken to what it's like to be at least a white male of his generation over the years. Endlessly, he's sung about the stuff that I really care about. He's put into words the feelings that hit you at different transitional moments in life.
Jonathan Demme
#8. I've never had a good game plan. At a certain point, making independent films became more and more appealing to me because I like freshness and originality.
Jonathan Demme
#9. If you're doing a music film, you've got to be singing about something.
Jonathan Demme
#10. As a kid, a little kid, I loved going to the movies, and now I love making movies.
Jonathan Demme
#11. A trilogy is a pretty abstract notion. You can apply it to almost any three things.
Jonathan Demme
#12. It's a funny thing with documentary films - you want them to feel as entertaining and as gripping as a fictional film. With a fictional film you want it to feel as realistic as a documentary film.
Jonathan Demme
#13. I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.
Jonathan Demme
#14. When Silence of the Lambs did well commercially it was more than anything. My partner Ed Saxon and I were just so relieved that finally we had made a movie that had made some money!
Jonathan Demme
#15. I love doing fiction. I love doing performance films and I love doing documentaries that don't have music. I love to shoot and I love to shoot things I'm enthusiastic about.
Jonathan Demme
#16. Everything I've made - it doesn't mean they've all been good - but everything I've made so far, big or little, fiction or documentary, has been something that I've been really enthusiastic about.
Jonathan Demme
#17. I like finding a great shot and then just staying with it for a long time, not trying to pump things up with some kind of artificial energy by cutting.
Jonathan Demme
#18. As much as I love acoustic Neil Young - and I do deeply - I may be more passionate about the electric. Luckily it's not a contest, and we never have to make that choice. But Neil Young on an electric guitar - I feel like I've never seen or heard anything like it.
Jonathan Demme
#19. Extraordinary people are the Green Berets and the Navy Seals and the Olympic athletes - these are the ones who can face these extraordinary physical challenges and be triumphant.
Jonathan Demme
#20. Maybe that's where the new art comes in - to somehow have your eye on the marketplace and harness your art to come up with something you can be proud of creatively.
Jonathan Demme
#21. I've never fallen into what I consider to be a trap of trying to figure out something analytically that could be a very popular film. I would hope my enthusiasm could match up with something with that potential.
Jonathan Demme
#24. I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately.
Jonathan Demme
#26. It's such a rich experience when you enter into a subject from a documentary point of view. It's hard for fiction to compete with that.
Jonathan Demme
#27. They're out there, this appalling idea that there are companies that profit - not just profit but profit enormously - through war.
Jonathan Demme
#28. I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.
Jonathan Demme
#29. Music films are great, but they can never compete with a live performance. Live music is what it is. It's the whole point. You experience it in the moment.
Jonathan Demme
#30. I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.
Jonathan Demme
#31. I was a sort of rock journalist - whatever that is - in London in the late '60s.
Jonathan Demme
#32. I've been making films since the '70s and trying to develop that best possible fiction-film style that I feel is the most expressive. At a certain point, I felt I was winding up making the same film stylistically and I found that boring.
Jonathan Demme
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