Top 50 James Rosenquist Quotes
#1. We may seem insignificantly small, but we exist. So I remain optimistic.
James Rosenquist
#3. I decided to make pictures of fragments, images that would spill off the canvas instead of recede into it like a medicine cabinet. I wanted to find images that were in a 'nether-nether-land': things that were a little out of style but hadn't reached the point of nostalgia.
James Rosenquist
#4. It's amazing how you meet people through other people. I knew a racecar driver, Stefan Johansson, who was very hot. He introduced me to Jean Todt. He introduced me to a French doctor. He introduced me to a French architect who redid the Louvre with I.M. Pei. He introduced me to Daniel Boulud.
James Rosenquist
#5. Believe it or not, there were very few books on art, years ago.
James Rosenquist
#6. The only thing the Pop Artists had in common is that we all had been commercial artists in some manner. Lichtenstein was a draftsman; I was a billboard painter, but we didn't work together. I didn't meet Andy Warhol until 1964.
James Rosenquist
#8. I started billboard painting in Minneapolis, and I went to General Outdoor Advertising, and I said, 'I could do that.' They said, 'Oh yeah ... we can always use a good man around here.'
James Rosenquist
#9. If you are close to it, a big painting is just a feeling around you, that's all.
James Rosenquist
#10. You live till you die, and that's the end of it. What good is your legacy when you are dead? I worry about being alive, selling work, having fun, moving and doing things when I am alive.
James Rosenquist
#11. Whenever I got a new studio I made the largest possible painting, and since the ceiling was low, the painting became horizontal. As I changed studios and got larger spaces, I made bigger paintings.
James Rosenquist
#12. When things become peculiar, frustrating and strange, I think it's a good time to start painting.
James Rosenquist
#13. Popular culture isn't a freeze-frame; it is images zapping by in rapid-fire succession, which is why collage is such an effective way of representing contemporary life. The blur between images creates a kind of motion in the mind.
James Rosenquist
#14. I am not in yesterday; I am not in tomorrow. I am right now.
James Rosenquist
#15. I stick the collages on the wall and, if I still like them after a month or two, I make a painting.
James Rosenquist
#16. I was probably born with the ability to draw, but that does not make you an artist.
James Rosenquist
#18. If a person is insane or troubled, you first have to get the person to admit that they have a problem before you can solve anything.
James Rosenquist
#20. When I got my first loft, I still didn't know what I was going to paint ... There were long stretches when I just sat there and thought without interruption.
James Rosenquist
#22. The best thing about being an artist is the free clothing and getting to kiss pretty girls.
James Rosenquist
#23. Many of my old friends are gone now. I have a hard time dealing with the fact that they're just not there to talk to. I can't call them up for a rabbit-skin glue recipe anymore.
James Rosenquist
#24. I went to the University of Minnesota, and I met this amazing artist named Cameron Boothe there who was in World War I, who studied with Hans Hoffman in Munich.
James Rosenquist
#25. I'm always trying to do things that no one has ever seen before.
James Rosenquist
#26. Certainly I have made comments on American society with the various pictures and have done about nine antiwar paintings. But I did them because I was incorporating my feelings into my work.
James Rosenquist
#27. It fascinates me to create beautiful paintings with the simplest means.
James Rosenquist
#28. I painted the Astor-Victoria sign seven times, and it's 395 feet wide and 58 feet high. I dropped a gallon of purple paint on Seventh Avenue and 47th Street from 15 stories up and didn't kill anybody. I dropped a brush at Columbus Circle. It fell on a guy's camel-hair coat.
James Rosenquist
#30. I hitchhiked to Miami in 1953, and there were oranges laying on the road, black shantytowns, and marinas with nice boats. The museums were virtually empty.
James Rosenquist
#31. In many ways my paintings are about energy - both in how they are created and the image itself.
James Rosenquist
#32. People can remember their childhood, but events from four or five years ago are in a never-never land.
James Rosenquist
#33. Many young artists, they look at the art world and think they can make a lot of money.
James Rosenquist
#34. There was one reviewer from the 'New York Times,' I forget his name, who said I was 'death warmed over.' I wrote him back that I knew more about death than he did. The 'Times' fired him, put him in the cooking department!
James Rosenquist
#35. I feel lucky that I've been able to make a living from painting any idea that comes into my head.
James Rosenquist
#36. I think of my actions every day: what seems to be important and what isn't.
James Rosenquist
#39. We are attacked by radio and television and visual communication at such speed and with such force that painting seems very old fashioned ... why shouldn't it be done with that power and gusto [of advertising], with that impact.
James Rosenquist
#40. Paintings are memories. Memories of the painter who painted them. Memories that can be shared as well. Paintings are things to remember things by.
James Rosenquist
#41. The very, very beginning is that my mother and father were aviators.
James Rosenquist
#43. I used to know Madison Avenue advertisers. I didn't like 'em. Bunch of jerks.
James Rosenquist
#44. When I started out, I wanted to paint the Sistine Chapel. But I didn't have the content.
James Rosenquist
#45. I was on a panel with Marshall McLuhan in Canada. Someone says, 'Mr. McLuhan, I read your book, and I disagree with you.' And he says, 'Oh, you read my book? Then you only know half the story.'
James Rosenquist
#47. As a person gets older, time gets more interesting. As a kid, you waste so much of it.
James Rosenquist
#48. The automobile crash was ... devastating in ways that I still cannot really bear to think about ... It took me many years to recover. In some ways, I never have.
James Rosenquist
#49. I tell young people that the greatest paintings in museums are made with minerals mixed in oil smeared on cloth with the hair from the back of a pig's ear. It's that simple.
James Rosenquist
#50. I'm interested in contemporary vision - the flicker of chrome, reflections, rapid associations, quick flashes of light. Bing! Bang!
James Rosenquist
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