Gilbert Sorrentino Quotes

#1. What if this young woman, who writes such bad poems, in competition with her husband, whose poems are equally bad, should stretch her remarkably long and well-made legs out before you, so that her skirt slips up to the tops of her stockings?

Gilbert Sorrentino

#2. Art cannot save anybody from anything.

Gilbert Sorrentino

#3. All I do know, for certain, after 53 years in this business, is that writers who sincerely think that their language can represent reality ought to be plumbers.

Gilbert Sorrentino

#4. He hadn't "abused" alcohol, but had spent almost four years sitting in a chair drinking jug wine around the clock and looking, variously, at the wall, the window blind, and the TV screen.

Gilbert Sorrentino

#5. You are perfectly justified in scoffing at the outrageous transparency of it if I tell you that his wife said that he was so pale that he looked as if he had seen a ghost, but that is, indeed, what she said. Art cannot rescue anybody from anything.

Gilbert Sorrentino

#6. Only death can cure the hip dilettante.

Gilbert Sorrentino

#7. The maimings of love are endlessly funny....

Gilbert Sorrentino

#8. Notable American Women gives us, with great panache and in eerie detail, a world that is cruelly reasonable within the near-religious limitations of its weird laws and customs. It is a book as unique as it is wonderfully strange.

Gilbert Sorrentino

#9. On Being Blue celebrates both language and that which it represents and carefully draws our attention to that difficult middle ground on which the writer finds himself in lifelong struggle to join the two without sullying or smearing the clarities of either.

Gilbert Sorrentino

#10. Q: What literary complexities do you find most interesting? That is, what do you like most to "solve," so to speak, as a novelist?
A: One wishes to create characters who will speak directly to the minds of comparative literature professors and intelligent book reviewers.

Gilbert Sorrentino

#11. They want politics and think it will save them. At best, it gives direction to their numbed desires. But there is no politics but the manipulation of power through language. Thus the latter's constant debasement.

Gilbert Sorrentino

#12. What is this thing called a kiss? French, tongue, soul, chaste, motherly, fatherly, brotherly, sisterly, ass, genital, Judas, trembling, rough, hesitant, sweet, soft, wet, dying, fevered, good-night, farewell, burning, and chocolate.

Gilbert Sorrentino

#13. Rapacity plus taste is a formidable combination, since it so often passes for intelligence. One pities the artist in a world of such predators, all of whom are deeply engaged in the arts too.

Gilbert Sorrentino

#14. ... and to all you other cats and chicks out there, sweet or otherwise, buried deep in wordy tombs, who never yet have walked from off the page, a shake and a hug and a kiss and a drink. Cheers!

Gilbert Sorrentino

#15. It is no wonder lesbians love women.

Gilbert Sorrentino